Among the most beloved titles in the French repertoire for their melodic invention and the natural flow of dramatic progression, "Faust" by Charles Gounod has been absent from the stage of the Teatro alla Scala since 2010. The new production, a co-production with the Palau de les Arts in Valencia and the Staatsoper Unter den Linden in Berlin, marks the return of conductor Daniele Rustioni, who is about to conclude his tenure as Principal Conductor at the Opéra de Lyon and has not conducted at La Scala since "Il Trovatore" in 2014. It also marks the debut of director Johannes Erath, a musician by training, whose production of "Ermione" for the 2024 Rossini Festival won the Italian music critics’ prestigious Abbiati Award for Best Production. On stage, some of the most beloved artists by the La Scala audience: Marina Rebeka, who will bring "Norma" by Bellini back to Milan in 2025, and Alex Esposito, an artist with an ever-expanding repertoire.

Among the most beloved titles in the French repertoire for their melodic invention and the natural flow of dramatic progression, "Faust" by Charles Gounod has been absent from the stage of the Teatro alla Scala since 2010. The new production, a co-production with the Palau de les Arts in Valencia and the Staatsoper Unter den Linden in Berlin, marks the return of conductor Daniele Rustioni, who is about to conclude his tenure as Principal Conductor at the Opéra de Lyon and has not conducted at La Scala since "Il Trovatore" in 2014. It also marks the debut of director Johannes Erath, a musician by training, whose production of "Ermione" for the 2024 Rossini Festival won the Italian music critics’ prestigious Abbiati Award for Best Production. On stage, some of the most beloved artists by the La Scala audience: Marina Rebeka, who will bring "Norma" by Bellini back to Milan in 2025, and Alex Esposito, an artist with an ever-expanding repertoire.