Tag Archive for: 2026

The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

LUCIA DI LAMMERMOOR | La Scala Milan • June 30, 2026

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A milestone in the history of musical theatre, "Lucia di Lammermoor" was born from the encounter between the sensibility of Italian melodrama and the gothic atmosphere of Walter Scott’s novel. Director Yannis Kokkos, who originally staged this production in 2003 under the baton of Riccardo Chailly, views the opera as a ruthless hunt in which the victim is driven toward the depths of madness—evoked by Donizetti through the ethereal sound of the glass harmonica. The revival is entrusted to Speranza Scappucci, a conductor well-versed in bel canto, who made her La Scala debut with Bellini’s "I Capuleti e i Montecchi." The cast features distinguished voices: alongside the leads—Rosa Feola as Lucia, Pene Pati as Edgardo, and Boris Pinkhasovich as Enrico—Michele Pertusi shines as a commanding Raimondo.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

LUCIA DI LAMMERMOOR | La Scala Milan • June 26, 2026

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A milestone in the history of musical theatre, "Lucia di Lammermoor" was born from the encounter between the sensibility of Italian melodrama and the gothic atmosphere of Walter Scott’s novel. Director Yannis Kokkos, who originally staged this production in 2003 under the baton of Riccardo Chailly, views the opera as a ruthless hunt in which the victim is driven toward the depths of madness—evoked by Donizetti through the ethereal sound of the glass harmonica. The revival is entrusted to Speranza Scappucci, a conductor well-versed in bel canto, who made her La Scala debut with Bellini’s "I Capuleti e i Montecchi." The cast features distinguished voices: alongside the leads—Rosa Feola as Lucia, Pene Pati as Edgardo, and Boris Pinkhasovich as Enrico—Michele Pertusi shines as a commanding Raimondo.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 27, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 25, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 23, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 22, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 20, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 18, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 16, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 12, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 10, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
The renowned Teatro alla Scala Orchestra performing on stage in Milan; Photo © Brescia-Amisano.Brescia/Amisano © Teatro alla Scala

CARMEN | La Scala Milan • June 8, 2026

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The future Music Director of the Teatro alla Scala, Myung-Whun Chung, reaches his eleventh opera title at La Scala with this new production of Bizet's "Carmen" – in addition to over 140 concerts both at home and on tour. This co-production with London's Royal Opera House, Covent Garden, and Madrid's Teatro Real promises a captivating interpretation. Chung, well-versed in French music through his work with the Opéra Bastille and the Orchestre Philharmonique de Radio France, leads a cast that is perfectly idiomatic. Alongside Clémentine Margaine in the title role, alternating with Stéphanie d’Oustrac, and Giorgi Manoshvili as Escamillo, the production features Vittorio Grigolo as Don José – a major Italian voice with a strong affinity for the French repertoire – alternating with Matthew Polenzani. Director Damiano Michieletto and set designer Paolo Fantin minimize local color to construct a stark and effective spectacle, focused on the ineluctable fate of the protagonists.
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